THE ORCHESTRA HIT

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• Free Vst Orchestral Hits
• Best Orchestra Vsts

The Orchestra Hit (also called Orchestra Stab) is a short sample of a ‘tutti’-chord in a classical orchestra piece. To this day, it is used as a dramatical and percussive component in pop music.

Softrave presents Orch Hit VSTi 1.0 This virtual instrument have 70 orch hits sounds from various drum machines & keyboards. You can mix orch hits and stabs in proportions and tune them and filter them individually to create new unique orch hit sounds. Good for electro, 80`s oriented, synth pop, electroclash, nu – rave and. Kurzweil K2000 Orch Hit. 24, 2016, 9:57 p.m. Category: Orchestral Sample Rate: 44100 Hz. Bit Depth: 16-Bit.

The Orchestra Hit is one of the most used samples and is included in almost every sample library in different variations.

History

The ‘original’ Orchestra Hit sample was part of the basic library of the first sampling/sequencing workstation, the Fairlight CMI (Computer Musical Instrument), released in 1979. The sample was named 'orch2' and has its origin in the first chord of Stravinky's Firebird - Infernal Dance of King Kastchei (1910).

Guitar vst synth free. The orchestra hit sample was used in different genres, mostly in those who use electronic sound elements. After the advent of the Fairlight and the Synclavier Systems, other more affordable samplers, like the Ensoniq Mirage, entered the market. Hereby, a lot more artists got access to the sample and used it in their songs, like Max Martin in many Britney Spears productions in the 1990’s. The sound even experienced a broad application in commercials.

Although today sampling is done with virtual samplers, the Orchestra Hit is still part of basic sample libraries. Like the Hand Clap, it has become an all-purpose sound and is used to this day.

Research

Music by composers like Beethoven, Brahms, Maler and Stravinsky with their penchant for the monumental, serve as the origin of Orchestra Hit samples.

As Robert Fink demonstrates in his article The Story of ORCH5, the origins of the Fairlight sample can be found in the orchestra tutti from Stravinsky's Firebird. While Fink's analysis of the Orchestra Hit of the Fairlight is about the beginning of a piece, most of the orchestra hits occur at the end of a piece, such as the three final chords of Symphony No. 1 by Johannes Brahms or the last chord in Beethoven's Ninth Symphony.

Above all, an orchestra hit achieves its effect as a sample if it is short and percussive, thus enriched with timpani and cymbals. The monumental or sublime that resonates in this sample may be an indication of the appeal and success of this sound. The Orchestra Hit can be considered as both appropriation of and reference to classical music.

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'If it is used in the right way, it is classic'

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Best Orchestral Percussion?

Orchestral Vst Free Download

Are you looking for cinematic orchestral percussion for your music compositions?

Free Vst Orchestral Hits

Percussion is the essence of action and rhythm, of power and energy.

Anything from low majestic booms, to hard hitting and punchy drums, to driving high percussion.

In this quick guide I have compiled a list of great orchestral percussion VST libraries:

Orchestral Percussion VST libraries – Top List

1. Damage (Heavyocity)
2. CinePerc (Cinesamples)
3. HZ Percussion (Spitfire Audio)
4. Berlin Percussion (Orchestral Tools)
5. StrikeForce (Laboratory Audio)
6. Action Strikes (Native Instruments)
7. Spitfire Percussion (Spitfire Audio)
8. SAGA – Acoustic Trailer Percussion (Red Room Audio)
9. Symphony Series Percussion (Native Instruments)
10. Taiko Creator (In Session Audio)
11. Cerberus (Audio Imperia)

Hello Composers! =)

My name is Mike, founder of professionalcomposers.com, music composer and sound designer since 1998, old school nerd, and coffee addict. So grab a cup of coffee, and let’s check out some Orchestral Percussion VST Libraries! =)

A very dark and processed overall sound, including 700+ loops, 500+ one-shots and 58 kits. Damage is not about natural orchestral percussion. The focus is rather on epic, loud and hard impacts.

My Favorite Highlights

• Instant Trailer type Epic Percussion
• The Punish Knob for even more “Heat”
• Powerful User Interface
• The Room Placement Mixer

CinePerc was recorded at the SONY Scoring Stage in Los Angeles, and mixed by master engineer Dennis Sands. This is the great “all-in-one” orchestral percussion package, with that instant “Hollywood Sound”.

My Favorite Highlights

• 4 libraries in one (Core, Pro, Epic, Aux)
• Great Hollywood Sound
• The Microphone Mix Controls
• Includes a Full Ensemble Patch (great for quick mockups)

Recorded at Air Studios via an impressive signal chain: 96 rarefied microphones into Neve Montserrat preamps, into the world’s biggest Neve 88R desk. And the selection of percussion included is extensive.

My Favorite Highlights

• Great Selection of Percussion (especially in the low-range)
• Many Powerful Soundshaping Features
• Includes Ensembles and Solo Patches
• The Interface is very Straightforward

Gigantic percussion library (150GB sample set) recorded at the Teldex Scoring Stage in Germany. All instruments were recorded in their natural positions, which gives you a natural percussion mix.

My Favorite Highlights

• Build your own percussion ensembles
• True Damping Feature
• Uniform mapping structure
• Different Mallets for respective instruments

StrikeForce was recorded at 192k in many various recording studios, halls, tunnels, rooms in Los Angeles. The focus is on a modern cinematic sound, compared to a natural orchestral sound. This library will give you big ensembles, anvils, sub boom, and “ticktocks” that simply works great for that big and modern sound.

My Favorite Highlights

• Modern Cinematic Sound
• The Sound Categories
• 5 Different Drum Tunings
• Lots of Round Robins

Action strikes includes 12 full ensembles plus 65 single instruments and 12 carefully-compiled Hit Sets. Even though the main focus is on building percussion from phrases that you trigger with key switches, you can use the individual patches to play the sounds manually.

My Favorite Highlights

• Great for Writing Percussion Parts fast (Ex: Mockups)
• The Categorization of Low, Mid and High Parts
• Adjust accent strength with the pitch wheel
• Change Dynamics with the MOD-wheel

An orchestral percussion library with a great variation of low and high percussion instruments, as well as a set of mallet instruments. A very natural orchestral percussion sound, with amazing dynamics, recorded in the Hall at Air Lyndhurst.

My Favorite Highlights

• Great true recorded dynamic range
• Quick and Easy mapping
• Great Sound Shaping Controls

SAGA, which has the subtitle “Acoustic Trailer Percussion” is of course focusing on trailer type percussion based on recorded sounds. It gives you a range of drum ensembles, dynamic metals, and even world instruments. Recorded in a fairly dry hall with 2 microphone positions. There are over 110 instruments in total, including special sounds like giant silos, metal doors, machinery etc.

My Favorite Highlights

• Up to 7 dynamic layers and 10 round robin
• Multiple articulations (rolls, rims, edges.)
• Simple & Straightforward GUI
• The Extra Field Recordings (Machinery, Tools etc.)

55 orchestral percussion instruments, recorded at Studio 22, Budapest. It features a wide range of both classic and exotic percussive instruments, diverse articulations and powerful drum head resonance simulation.

My Favorite Highlights

• Huge range (55 recorded instruments)
• Tremolo, Crescendo Roll, Flam, Edge variations and FX articulations
• 5 microphone mixes including spot microphone
• Drum Head Resonance Simulation
• Inspiring and simple interface

This library is based on one of the most used percussion instruments in cinematic music, the Japanese Taiko drums. Taiko Creator allows you to create, control and generate multiple solo and ensemble groups of your own, all playable from a single interface. From mega big, and low booming Taikos…to sharp stick hits.

My Favorite Highlights

• The Mapping system is brilliant
• The Presets give you instant access to different ensembles
• Custom creation of percussion groups
• Extremely playable out of the box (all in one patch if you wish)

Based on a hard-hitting drummer trio, thus the name “Cerberus”, this library has a very modern cinematic sound. It is also very customizable, including for example 7 microphone positions and a very nice user interface with sound shaping controls.

My Favorite Highlights

• Modern Hard Hitting Cinematic Sound
• Includes a Recorded Drum Kit
• 7 microphone positions for the regular patches
• True Stacking Engine, with additional round robin samples

Best Orchestra Vsts

• True Strike (Project Sam)
  Classic and highly celebrated, and still very much usable today.
• LADD (Audiobro)
  LA Drama Drums (LADD), had many interesting features, and blends traditional and modern percussion.
• StormDrum (EastWest)
  Another classic, which comes in 3 versions. All are based on high quality recordings in a great space, by professional percussionists.
• Ensemble Drums Collection (Heavyocity)
  Great for that big ensemble sound, on several different types of orchestral percussion.
• Rhapsody (Impact Soundworks)
  Covers a nice range (50+ instruments) of traditional orchestral percussion instruments.
• Apocalypse Percussion (Soundiron)
  Amazing for big epic toms, hard hits and trailer type percussion.

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