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If you’ve been producing music for a while, you probably know that a lot of the commercial guitar VSTs or libraries out there are pretty expensive and not always easy to use. Although I own a few commercial guitar libraries, I also wanted to see what free guitar VSTs and sample libraries are available these days. I have to admit I was surprised by the number of interesting instruments I found. So, I’ve put together this list to talk about the best ones.

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For this article, I looked at both acoustic and electric guitars but left out guitar amps and other effect plugins (I will cover these in an upcoming article).

Free Acoustic Guitar Plugins

Ample Sound: Ample Guitar M II Lite

Format: AU, VST, AAX, RTAS / 32 bit + 62 bit
OS: Mac, Windows

Audio examples:

https://evercommerce.weebly.com/blog/itools-pro-mac-download-spoof. Ample Sound is a Beijing-based company that has been creating guitar and bass VSTs since 2011. The Ample Guitar M II series aims “to bring the Martin D-41 Acoustic Guitar sound to your studio.” Luckily for us, the company also released a free lite version of the instrument, which comes with a reduced sample rate, fewer articulations and features and a lower sample count than the original (by now, version III has been released already).

This doesn’t prevent Ample Guitar M II Lite from being the best sounding (non-Kontakt) acoustic guitar in this list, though. The samples sound full and lively and can be triggered directly through MIDI (or your DAW) as well as through a built-in sequencer, the “strummer.”

The strummer makes it super easy to build patterns out of single notes, up and down strokes and mutes. Additionally, there are a bunch of effects and features available to change the tone. One of my favorite features is the doubling switch, which adds width to the instrument in an instant.

Another particular useful feature of Ample Guitar M II Lite is that it shows you which string corresponds to the note you’re playing. This quickly helped me create more realistic arpeggios.

If you also use Guitar Pro Tab, you can even import your tabs into Ample Guitar M II Lite. Note that you are limited to the first four frets of each string when you’re using the lite version.

There are so many fully functioning knobs and switches in this free plugin that I didn’t manage to get to all of them in my 45 minutes of playing around with it. What more can you ask for in a free guitar?

You can get Ample Guitar M II Lite on the Ample Sound website.

This is a quick introduction to the instrument:

DSK Music: Dynamic Guitars

Format: AU, VST / 32 bit + 64 bit
OS: Mac, Windows

Audio examples:

This guitar VST has gotten a lot of attention lately, especially since the release of LifeStyleDidIt’s video “I FOUND THE BEST FREE GUITAR VST” (see below). DSK Music is a project by a Spaniard named Víctor who has been making hundreds of free virtual instruments since 2002.

DynamicGuitars contains three different instruments: an acoustic guitar, a nylonguitar and a steel guitar. It also offers control over the envelope of thesamples as well as the dynamic range and the voice mode (poly, mono, legato). All the included guitars feel smooth, warm andthick but could use a little EQ action for clarity.

In this video, you can see the plugin in use:

You can download DSK Dynamic Guitars here.

Pettinhouse Free Acoustic Guitars

Pettinhouse is a project by Andrea Pettinao. The company sells a wide variety of guitars and also offers a handful of free guitar sample libraries. Let’s take a look at them!

FreeAcousticGuitar

Format: Kontakt 3 and higher (full version required!)

Audio examples:

Free AcousticGuitar is a simple but well-recorded and programmed acoustic guitar Kontakt library. The samples are loaded as a multi and are separated into attack+ sustain, releases and fret noise sounds and come in different velocities. The samples are well mixed and sound wonderfully natural.

FreeClassicGuitar

Format: Kontakt 5 and higher (full version required!)

Audio examples:

When you open the free version of Pettinhouse’s Classic Guitar, you’re getting a multi consisting of two instruments: classic guitar and noises. These work well together and offer a realistic and nice warm sound.

Yummy Beats: Modest Guitar

Format: Kontakt 5 and higher (full version required!)

Audio examples:

Avg blocking vst plugins. Yummy Beats is a platform for drums, loops and Kontakt instruments. You can also find a few free instruments on this site, including the free Modest Guitar. This Kontakt library delivers a present sound with round robin and three articulations: acoustic guitar, flageolets and fx guitar. Unfortunately, I found that the fx guitar produced noticeable crackle sounds (might have been my setup!). However, my favorite part is the flageolets with their well-rounded tone, anyway.

I found the steps to get Modest Guitar a little complicated. You have to open a Yummy Beats account, go to this page and enter the unlock code that you find here. If you’re looking for a free, quality flageolet sound, this is a good instrument to try out, though.

Here’s an example of a song that uses Modest Guitar (from the Yummy Beats YouTube channel):

Alternatives

Didn’t find what you were looking for? Here are some more acoustic guitar libraries:

• DSK AkoustiK GuitarZ (VST / Windows / 32 bit)
• DSK Guitars Nylon (VST / Windows / 32 bit)
• DSK Guitars Acoustic (VST / Windows / 32 bit)
• DSK Guitars Steel (VST / Windows / 32 bit)
• Spicy Guitar (VST / Standalone / Windows, Mac / 32 bit + 64 bit)
• Big Cat Instruments General Midi Soundset (has a guitar section / Kontakt)

Free Electric Guitar Plugins

Now, let’s talk about electric guitars.

Spitfire Labs: Peel Guitar

Format: VST2, VST3, AAX, AU; 32 bit + 64 bi t
OS: Windows, Mac

Audio examples:

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Looking for a smooth moody guitar that fits into an ambient track or your next film score? Peel Guitar might be it! Originally, the guitar was sampled by Christian Henson in 2006 and, according to him, was used all over his scores. The instrument consists of three presets that differ slightly in guitar tone. Each guitar feels soft and comes with a long release, which adds to the atmosphere of the instrument. The minimalist interface offers control over the volume, velocity, reverb and “tightness” of the sound. To get Peel Guitar, you will need to install Spitfire Labs first (also free).

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Iridium Iris: Lethality

Format: VST, 32 bit + 64 bit
OS: Windows

Audio examples:

The following examples were created with Lethality and Guitar Rig 5:

Lethality was released in 2014 by Iridium Iris. The developer’s website has been down for a while, so it’s not clear if they’re still working on new instruments. However, Lethality is one of their products that you can still come across today.

I wasactually quite surprised to see how many functions are built into Lethality.Besides “regular” single notes, the plugin also has open string and mutedstring articulations. Additionally, you can switch on hammer-ons, pull-offs andportamento articulations, which can be triggered by playing legato notes.

To find theright articulation on your MIDI keyboard, you can take a look in the manualthat comes with the instrument. When you’re as used to Kontakt as I am, it’s alittle inconvenient that the keyboard layout (including articulation zones andkeyswitches) is not displayed visually in the plugin. This means that you’llhave to remember the keyswitches and articulations you’ll need when playing.

If you’renot sure how to program your guitar, you can use the built-in riff patterns.They can be activated directly from the plugin or exported as MIDI clips intoyour DAW of choice. Truthfully, though, it makes more sense to program your ownMIDI clips, if only to create a more dynamic guitar part.

Although Lethality offers a distortion function, to get a good sound you will most likely want to use an external amp simulation or other effects on this instrument.

As the official developer website is down, you can get Lethality here.

Impact Soundworks Shreddage Stratus Free

Format: Kontakt 5.7 or higher (full version required!)

Audio examples:

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The Shreddage series by Impact Soundworks has been the go-to place for affordable guitar sample libraries for years. Recently, the company made a very generous gift to composers when it released a free version of its Shreddage 3 Stratus guitar. Compared to the commercial version, the free version only offers neck pickup (instead of neck, middle and bridge), 12 frets (instead of 24), a reduced range and fewer articulations. However, this shouldn’t stop you from creating great, realistic electric guitar parts with this library. Up to 24 samples per note, including sustain, palm mute and choke articulations make this an amazingly usable library that will fit into many productions.

Amazingly,the free version of Shreddage 3 Stratus also comes with full mix consolefunctionality. In the mix console you can add effects, whether that’s pedals,amps, cabinets or EQ. The included presets (called “snapshots” by ImpactSoundworks) sound instantly great and are compatible with other Shreddageinstruments (as long as they use the same console). This is definitely the bestand most versatile free electric guitar on the market right now – so if youhave a full version of Kontakt, don’t miss out on this one.

Check outthe following video for an overview on how to use Stratus Free:

Get Impact Soundworks Stratus Free here (you will need to get a free account to download the instrument).

Pettinhouse Free Electric Guitars

Just as Pettinhouseoffers a few great acoustic guitar libraries, it has also released a fewinteresting electric guitars:

FreeDirectGuitar

Format: Kontakt 5 and higher (full version required!)

Audio examples:

The following examples were created with DirectGuitar and Guitar Rig 5:

Using this direct guitar library by Pettinhouse gives you maximum flexibility for sculpting your own tone. It comes with a range of four octaves and also includes a few effects (open the “strum” and “layers” instruments to find out where they are located on the keyboard). Amp and effects are not part of the instrument, so you will need to add one yourself. I used Guitar Rig 5 for the audio examples.

FreeMute&Slap

Format: Kontakt 3 and higher (full version required!)

Audio examples:

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Mute&Slap is a very specialized instrument: The articulations range from mute tones in the lower velocities to slap notes in the higher velocities and are great for adding some funky notes to your beats and songs. While Free Mute&Slap also contains a couple of effects and amp choices, it might be worthwhile trying out a few different amp simulations with this to have more control over the tone.

Here’s avideo review for Mute&Slap:

FreeFunkyGuitar

Format: Kontakt 3 and higher (full version required!)

Audio examples:

Need more funk in your music? Check out Pettinhouse’s Free FunkyGuitar. Besides regular plucked string sounds, this library also contains strum loops and muted strum loops. These are especially convenient (programming funk guitar rhythms manually is hell) and can be tempo-synced to the host or adjusted manually (in a range of 85 bpm – 130 bpm). The library comes with a built-in reverb, delay and phaser and a selection of amps. The guide tab will help you find your way around this instrument quickly.

FreeWarmJazz

Format: Kontakt 3 and higher (full version required!)

Audio examples:

When I was researching for this article and came across WarmJazz, a realization hit me: There are barely any jazz guitar sample libraries on the market. Apart from the occasional funk library, most current guitar libraries and VSTs are oriented towards rock, metal and blues. If you’re looking for a jazzier sound, though, you should check out WarmJazz by Pettinhouse. In its free version, it comes with seven presets and a range of effects (chorus, reverb, delay, compressor). The quality of the sound is indeed warm and jazzy and hard to re-create with any other library.

KaroryferSamples Cute Emily Guitar

Format: SFZ, Kontakt 5 and higher (full version required!)

The next three examples use Guitar Rig 5:

Cute Emily Guitar is originally a project by Karoryfer Samples and was first published in 2014. To quote the creator:

“There area lot of guitar samples out there intended for lots of styles of musicguitarists like, from Latin jazz to metalcore, but this library is for musicguitarists really hate, from hip-hop to EDM. It’s designed to be easy to usefor producers who don’t necessarily know a lot about guitars and don’t need awhole lot of different articulations, control over left-hand position, note offgroups, etc. Instead of all that you get a fat, percussive sound that’s greatfor crisp rhythms.”

Indeed, the instrument, which is a sampled Epiphone Emily the Strange, has a very pronounced, percussive attack. As the samples were recorded directly, it makes sense to run them through an amp simulator of some sort (I used Guitar Rig 5 for my tests).

You have the choice between two versions of this instrument: The original Karoryfer Samples version in SFZ soundfont format or a Kontakt version by Bigcat Instruments. The Kontakt version includes various effects, such as a phaser, chorus, reverb, delay, compressor, distortion and EQ. You can also add tremolo and adjust the velocity curve, as well as the attack and release.

Alternatives

Looking formore options? Check out the following instruments:

• Greggjazz Suburban Guitarist (VST / Windows / 32 bit)
• Krakli Strat-A-Various (VST / Windows / 32 bit)
• SuperRiff: SuperRiff Guitar (VST / Windows / 32 bit)

Over to you…

Do you have any other favorites that you didn’t see included on this page? Let us know in the comments!

We can not say it often enough, but a good mastering begins with the source. Without a good sound, there is usually no good mastering possible. That’s why we review good sounding VST soft synths every now and then. To inform our customers about what is out there. So that they can make a better mix with better tools before delivering the mix to the mastering studio. This time we have chosen a soft synth from one of the newcomers in the world of software synthesizer plug-ins. Namely the Lethal from a company called Lethal Audio.
This stylish looking plug-in differs from others because of the technique that is used to reproduce the sounds. The sounds are all based on samples. That’s why this kind of plug-in can also be called a rompler. The advantage of a rompler is that you are not stuck to the limitations of the oscillators found in a traditional synthesizer. As a result the possibilities of sounds that can be created are endless.
The Lethal could be compared with the Nexus because they are both based on the rompler technology. The Nexus which also sounds very good is more expensive than the Lethal. The Lethal is sold for less than 200 euros.

For Lethal several expansion packs are available in different genres such as EDM, trance, and hip hop. At the time of writing there are 12 free expansion packs available. Regularly new expansion packs appear.
These packs were available free of charge for registered users until June 2017. The good news is that Lethal Audio has extended the offer for a limited time. So after June 2017 those expansion packs are available for free for a while longer.

You can order the Lethal on the website of Lethal Audio. Here you can also get the various expansion packs. Lethal has made a lot of tutorial videos about the different functions of the Lethal. You can find those videos on their website.

Fortunately Lethal is CPU friendly. However, the expansion packs take quite a bit of disk space. A few gigabytes per sample pack is no exception. But I guess that counts for all the rompler based soft synths. Nowadays that should not be a problem. It’s useful to download the demo version first. The demo is limited to 100 sounds but fully functional.

The Lethal is available as VST, AU, and AAX plug-in for both 32 and 64-bit operating systems.
The Lethal works on both PC and MAC. The installation procedure is simple. Install the 64-bit or 32-bit setup file and follow the on-screen instructions. Then install the expansion packs. Here you can choose where to install these packs. It is recommended that the specified path is used for these expansion packs.
When you open the Lethal for the first time you are prompted for a serial code. This code can be found in your account on the Lethal website.

First impression

The layout of Lethal is very clear. Most controls are visible at all times and clearly divided into different sections. This works fast and intuitively.
The big screen in the middle shows you the categories and presets associated with the sounds. During the testing it became clear that the Lethal is very suitable for making dance music. The demo video above gives a nice impression of how good it sounds.

The Lethal soft synth comes standard with a core libary of 3000 instruments divided into 13 categories. These categories are subdivided into clearly defined presets. For example bass, leads, percussion, strings and more.
On top of that there are also the expansion packs. The sounds have a very good sound quality with a natural stereo image, tightly defined midrange, and sparkling high frequencies. That means that the sounds can be easily used in your mix. And that these sounds generally form a solid basis for a good sounding mix. Some sounds were not as convincing. For example the Bells, the trumpets, and the choirs. The Nexus clearly does a better job when it comes to that kind of sounds. But there are many great sounding leads in the EDM and trance expansions. The ambience and cinematic expansions are also very impressive. Perhaps even better than those that can be found in the Nexus.

In the center below the display you will find 6 menu buttons. Those allows you to switch between the 6 different screens.
Library, ARP, TG, FX, Source and System.

Library

In the Library section you will find all information about the installed expansion packs. In the Library column you will see which expansion packs are installed. In the category column you will see the different categories (bass, FX, plucked, drums)
And in the preset column you will find the presets.

Next to the library button you will find the ARP button.

The arpeggiator allows you to create different patterns by shifting the blocks and changing the different parameters. In addition to the pre-programmed arpeggio’s you can also create and save your own patterns.

When pressing the TG button the trance gate window appears. The trance gate can add a rhythmic effect to the sound.

You can create a sequence by clicking your right mouse button on one of the bars. This causes an interruption in the sound. Using this on different bars creates a rhythmic effect. Using the various parameters you can create a very lively sound.
You can use the trance gate together with the arpeggiator too. So you can create even a more interesting sound.

Next to the trance gate button we find the button for editing the FX section.

When pressing the FX button the display will show the buttons related to the various effects that the Lethal has to offer. We can chose between reverb, delay, chorus, phaser, distortion, equalizer and bitcrusher. You add an FX by clicking on one of the 6 FX slots with your right mouse button. You can use 6 effects at a time.

In the source section we find some general parameters that apply to the entire system.

Amp source, filter source, and pitch source determine how much the volume, filter, or pitch changes when moving the modulation wheel on your MIDI keyboard when you choose the wheel option.
The same can be done with the pressure option. This only works if you have connected a MIDI keyboard that supports this. Lethal then responds to the amount of pressure added to the key of your MIDI keyboard when pressing it.

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At the bottom part of the source screen we find 4 more parameters.
Pitch bend determines the amount of steps you can go up or down when using your pitch bend wheel on your MIDI keyboard.
The shift function is basically a transpose function. With this function you shift the whole keyboard a number of notes op or down.
With Tune you can change the pitch of the entire keyboard with a maximum of half a note higher or lower.
With max poly you determine the maximum number of notes that can be played simultaneously with the Lethal.
If your computer is a bit slow it’s useful to put this parameter down a bit. The Lethal then consumes less processor power.

Finally, we have the System button. Here you will find the version and license information. But you can also check which expansion packs are installed.

The good thing about the Lethal is that you can edit all the generally impressive sounding samples just like a traditional synthesizer. These editing options are positioned to the left and right of the display.

Let’s start on the left side. The left side has 3 sections. Amp filter and pitch.

The AMP section is devided in 3 sub sections. ENV, LFO and CRV.

The ENV section is responsible for the volume of the sound during the time that the sound is played.
For example, the attack determines whether the sound is immediately audible once you press a key. Or if the sound is gradually increased in volume. And the release determines how long you hear the sound when you release the key. Decay and sustain determine what happens between the moment you press a key and release it again.

With the LFO section you can modulate the sound. This modulation can produce different effects.
For instance you can modulate the volume of a sound so that it gets a pumping effect. In this way you could create a “sidechain” effect.

With the CRV function, you can change the different curves for the Attack Decay and Release of the AMP.

The FILTER section has 4 sections: FIL, ENV, LFO and CRV.

With the FIL section you choose the type of filter. You can also adjust cutoff and resonance.
The drive button determines the volume of the filter.
With the ENV, LFO, and CRV parts, you determine the behavior of the filter.

Here you control everything that has to do with the pitch. This can be done in the same manner as the other options described above.

On the right side of the display we find the Core FX.

You can activate the various core effects by clicking the circular button next to the function names. This section is divided into a number of segments.

The noise function creates extra noise to add to your sound.
You can choose from different types of noise.
With the amount button you determine the amount of noise.

Unison allows you to add a copy of the sound so that it sounds richer.
Detune determines how much the copy of the sound is changed in tune. And voices controls the number of copies of the sound you add. With this technique you can create sounds that fit very well in trance productions.
The unison function invites you to experiment. So you can create your own unique variations of the basic sounds. You should also try this with drum and percussion sounds.

The vibrato button allows you to vibrate the sound.
With rate you determine how fast your sound should vibrate and with depth how deep the vibrations go.

With the ST expand function you can create a wider stereo image.
Width determines how wide your sound will be. 0% is the minimum value and delivers mono sound. 200% is the maximum value for a super wide stereo image.
The delay button determines the distance between left and right. The more you turn this knob to the right the bigger the delay will be between left and right. The drive button is just a volume button. And with the shine function, you determine the amount of high frequencies.

The Chord function is very useful for those of you that find it difficult to play chords. This function will play a chord by pressing just one key. With type you can select different types of chords. With the dir button you can choose whether or not to play the chord forward or backwards.

With poly you decide if a sound is multi-voice or monophonic.
With glide the notes will slide from one note to another.
The time button determines how long it takes before the lethal slides from one note to another.

Finally there is the main button which controls the general volume of Lethal.

Lethal is a great synthesizer plug-in in the world of romplers. In general it sounds very good. Using a plugin like this will certainly be a good starting point for a good result when mastering.
We do not dare to say if this is a serious competitor of the commonly used Nexus. But we think Lethal Audio did a great job with their Lethal.
The sounds are especially suitable for dance. Some common sounds like the Bells, the trumpets, and the choirs are not so convincing. But other sound make up for this.
Lethal is a lot more attractive priced than some of its compatitors. On top of that you can use the 12 free expansion packs. Lethal is a good additional weapon in your arsenal of VST instruments.

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